DESIGN & ARCHITECTURE
ARCHITECTURE MASTERCLASS - I
Speaker: Keith Bradley- Fielden Clegg Design ,
Bath
26 January 1998
This session was the first of a series of six
masterclasses organised by Victor Suchar to give local architects
the opportunity to present their work and ideas to BRLSI members and
guests.
Mr. Bradley divided the Fielden Clegg design
projects into two catagories: the meat or monuments and the potatoes
representing the majority of commissions. These projects to the extent
possible should achieve environmental harmony i.e. within a context
including climate, setting and the historical and social situation.
Increasingly Fielden Clegg attempted to use environmentally sustainable
materials and to strengthen the relationship of materials to the environment.
The four projects Mr. Bradley highlighted were:
Kingswood School, Bridgecare, The Earth Centre and Bristol 2000 -
the first two in the regular commission category and the last two
in the monumental. In all four cases he explained how the environmental
harmony was achieved
Mr. Bradley strongly argued that architects should
build now to leave a current mark-a history for future generations.
Projects today are often influenced by the public's appetite for nostalgia
and by the developer's concern with commercial cost considerations
which reduce the scope provided to architects for design..
The question period was dominated by the proposed
Southgate project, the largest in Bath for the past twenty five years.
Mr. Bradley had recently written about it in an article published
in the Chronicle on 20 January 1998.
He maintained that our cities need to attract
people who wish to live in them and that this project failed to offer
sufficient housing, sufficient civic space, and to incorporate public
transport alternatives. Another priority would be the consideration
of a scale appropriate to Bath. This vision was wholeheartedly supported
by the audience.
The audience also asked about constructing buildings
that would last- that could only be the result of a culture of excellence
which requires quality rather than expediency, and about the contribution
of the Prince of Wales to architecture- he made architecture a subject
of public debate. Another question was " How do you obtain your
commission from the first client"- by convincing him that you
have the imagination to translate his needs into an appropriate design
and resolve the many practical problems which come up in the building
process.
Mr. Suchar posed a question that had been received
via the BRLSI web site regarding the length of time required to obtain
planning permission: " It took approximately fifty years to build
Bath, it now takes about the same time to obtain planning permission"-
this is obviously an exaggeration in order to make the point, but
if the period becomes unusually long one may consider consultation
with another architect.
Mr. Bradley concluded by advocating a City Architect
who could take an overall view of development in Bath and ensure there
was both vision and appropriateness.
(Betty Suchar)